“Listen My Heart”: Sound Art, Cinema, and the Possibilities of Surround Sound aLexiS BhaGat and Lauren roSatiĭigital materials related to this title can be found on the Fulcrum platform via the following citable URL To Speak or Not to Speak: Publicity, Public Opinion, and the Transition to Talkies (Calcutta, Bengal, 1931–35) 268 madhuJa mukherJee 12. Have Mandolin Will Travel: Musical and Afective Themes of DDLJ JaySon BeaSter-JoneSġ1.
Between Rage and Song: Voice, Performance, and Instrumentation in Shanta Apte’s Films of the 1930s neePa maJumdar 10. From Punjab Trilogy to the BBC Eastern Service: The Political Critiques and Cultural Mediations of Mulk Raj Anand SeJaL Sutaria Voice of the Voiceless: Audiobook Performance and the Meaning of Sound in New Nonfction from India roanne L. Narendra Modi Speaks the Nation: Masculinity, Radio, and Voice PraSeeda GoPinathħ. Usha Uthup and Her Husky, Heavy Voice PaVitra Sundar 6. High-Fidelity Ecologies: India versus Noise Pollution in the Contemporary Public Sphere Samhita Sunya It’s Rocking? Exploring Sound and Intimacy through Mumbai’s Faltering Indipop Music Industry Peter kVetkoĤ. Sounding Out the Crowd: Sonic Political Futures in Migrant Mumbai kathryn c. Sound Clouds: Listening and Citizenship in Indian Public Culture aSwin PunathamBekar and Sriram mohanĢ. SECTION ONE: Scapes, Sites, and Circulations 1. paper) ISBN 978-3-1 (ebook)Īcknowledgments Introduction: Out of the West, Out of the Text Laura Brueck, JacoB Smith, and neiL Verma
Indian Sound Cultures, Indian Sound Citizenship Laura Brueck, Jacob Smith, and Neil Verma, editorsĬopyright © 2020 by Laura Brueck, Jacob Smith, and Neil Verma All rights reserved For questions or permissions, please contact Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid-free paper First published April 2020 A CIP catalog record for this book is available from the British Library. Indian Sound Cultures, Indian Sound Citizenship